Carrie Pollack

b. 1973 / Lives in Brooklyn + Halcott Center, NY

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Carrie Pollack, Blanket 1, 2011, Pigment ink on linen, 36 x 26 inches, #CP16

Carrie Pollack, Blanket 1, 2011, Pigment ink on linen, 36 x 26 inches, #CP16

Carrie Pollack, New Sky 1, 2011, Pigment ink on linen, 30 x 22 inches, #CP12

Carrie Pollack, New Sky 1, 2011, Pigment ink on linen, 30 x 22 inches, #CP12

Carrie Pollack, Weave Paper 1, 2011, Archival pigmented digital print on paper, 27 x 21 inches, Unique, #CP01

Carrie Pollack, Weave Paper 1, 2011, Archival pigmented digital print on paper, 27 x 21 inches, Unique, #CP01

Carrie Pollack, Weave Paper 3, 2011, Archival pigmented digital print on paper, 21 x 15 inches, Unique, #CP03

Carrie Pollack, Weave Paper 3, 2011, Archival pigmented digital print on paper, 21 x 15 inches, Unique, #CP03

Biography
Carrie Pollack (b. 1973) has exhibited her work throughout the United States, as well as in Germany and Belgium. Her work was recently included in the group exhibition Between This Light and That and Space curated by artist Douglas Melini at the gallery this past summer. Pollack has also recently exhibited at BRIC Rotunda Gallery, Monya Rowe Gallery, and David Krut Projects, all in New York. She has also produced editions with Daily Operation in New York and Sonnenzimmer in Chicago, IL.

Pollack has been awarded residencies at Yaddo, Jentel, Virginia Center for the Creative Arts, and Vermont Studio Center. Her work has been discussed in publications, such as Time Out New York, Metropulse, and The Daily Beacon. She holds an MFA from the University of Iowa, Iowa City, IA, and a BFA from Alfred University, Alfred, NY.

Statement
There are many layers to how we see and make sense of our surroundings and experiences. Momentary fragments in a constant state of transformation possess dual qualities. Deteriorating papers speak of permanence and impermanence; worn fabrics touch upon loss and desire; a fleeting glimpse evokes a feeling of presence and absence. These visual metaphors become parts of a language used to contemplate the human experience.

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