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A Minimal Future? : Art as Object 1958-1968
Ann Goldstein, Lisa Mark. The MIT Press, 2004. |
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Abstract Art from the Río de la Plata: Buenos Aires and Montevideo 1933-1953
Marguerite Feitlowitz, Lory Frankel, Regina Smith, editors. The Americas Society, 2001. |
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Abstraction Geometry Painting: Geometric Abstract Painting in America Since 1945
Michael Auping. Albright-Knox Art Gallery, 1989. |
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Abstraction: The Amerindian Paradigm
César Paternosto. Palais des Beaux-Arts Brussels, Belgium / IVAM INstitut Valenciá d'Art Modern, Valenciá, Spain, 2001. |
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Aesthetische Redundanz
Kurd Alsleben. Quickborn, 1962. |
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Afterimage: Drawing Through Process
Cornelia H. Butler. The Museum of Contemporary Art, Los Angeles, 1999. |
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American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection
Robert Knott. Harry N. Abrams, New York, 1998.
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Art of the Fifties, Sixties and Seventies: The Panza Collection
Christopher Knight, Richard Koshalek, and Sherri Geldin. Editoriale Jaca Books, Milan, Italy, 1999. |
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Being and Circumstance: Notes Toward a Conditional Art
Robert Irwin. Lapis Press, 1985. |
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Beyond Geometry : Experiments in Form, 1940s-1970s
Lynn Zelevansky. The MIT Press, 2004. |
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Concrete Photography. Konkrete Fotografie
Gottfried Jäger, Rolf H.Kraus, Beate Reese. Kerber Verlag, 2005. |
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Constructed Abstract Art in England: A Neglected Avant-Garde
Alastair Grieve. Yale University Press, 2005. |
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Contrasts of Form: Geometric Abstract Art 1910-1980
Magdalena Dabrowski, John Elderfield. The Museum of Modern Art, 1985. |
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Dia:Beacon
Lynne Cooke and Michael Govan. Dia Art Foundation, 2003. |
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Die Sammlung Holze - Schenkung an das Von der Heydt-Museum
Von der Heydt-Museum, Wuppertal, Germany, 2003. ISBN: 3-89202-053-1 |
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Directions in Art, Theory and Aesthetics
Anthony Hill, editor. London, 1968. |
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Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection
Pamela Lee, Christine Mehring. Harvard University Art Museums, Cambridge, MA, 1997. |
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Elements of Abstraction: Space, Line & Interval in Modern British Art
Brandon Taylor and Alan Fowler. Southampton City Art Gallery. |
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Embodied Visions: Bridget Riley, Op Art and the Sixties
Frances Follin. Thames & Hudson, 2004. |
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Equilibre: Gleichgewicht, Äquivalenz und Harmonie in der Kunst des 20. Jahrhunderts
Baden, Switzerland, 1993. |
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Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (Music in the Twentieth Century)
Keith Potter, Arnold Whittall. Cambridge University Press, 2002. |
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From Science to Systems of Art: On Russian Abstract Art and Language 1910-1920
Patricia Railing. East Sussex, England, 1989. |
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Fundamental Painting
Stedelijk Museum, Amsterdam, The Netherlands, 1975. |
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Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection
Yve-Alain Bois, Paulo Herkenhoff, Ariel Jiménez, Luis Enrique Pérez Oramas, Mary Schneider Enriquez. Harvard University Art Museums, Cambridge, MA, 2001. |
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Global Conceptualism: Points of Origin, 1950s-1980s
Luis Camnitzer, Jane Farver, Rachel Wiess. Queens Museum of Art, NY, 1999. |
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Geometric Painting in Australia 1941-1997
The University of Queensland, Brisbane, Australia, 1997. |
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High Times, Hard Times: New York Painting 1967-1975
Kay Siegel editor. Independent Curators, 2006. |
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Inverted Utopias: Avant-Garde Art in Latin America
Mari Carmen Ramirez, Hector Olea. Yale University Press, 2004. |
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Kalte Kunst? zum Standort der heutigen Malerei
Karl Gerstner. Teufen AR, Switzerland, 1957. |
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Kinetic Art: Four Essays by Stephen Bann, Reg Gadney, Frank Popper and Philip Steadman
London, 1966. |
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Konkrete Kunst in Europa nach 1945: Die Sammlung Peter C. Ruppert / Concrete Art in Europe after 1945: The Peter C. Ruppert Collection
Hatje Cantz Verlag, 2002. |
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L'Ultima Avantguardia: Arte Programmara e Cinetica 1953-1963
Lea Vergine. Exhibition catalogue, Palazzo Realo, Milano, 1983-84. |
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Minimal Art: A Critical Anthology
Gregory Battock, editor. University of California Press, 1995. |
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Minimal Art: The Critical Perspective
Frances Colpitt. University of Washington Press, 1993. |
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Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, New Acquisitions for the DaimlerChrysler Collection 2000-2006
Renate Wiehager. Hatje Cantz, 2006. |
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Minimalism: Art and Polemics in the Sixties
James Meyer. Yale University Press, 2001. |
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Minimalism: Art of Circumstance (Abbeville Modern Art Movements)
Kenneth Baker. Abbeville Press, 1989. |
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Minimalism (Movements in Modern Art)
David Batchelor. Cambridge University Press, 1997. |
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Minimalism (Themes and Movements)
James Sampson Meyer, editor. Phaidon Press, 2000. |
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Minimalism: Origins
Edward Strickland. Indiana University Press, 1999. |
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Minimalismos, un Signo de los Tiempos | Minimalisms, a Sign of the Times
Anatxu Zabalbeascoa, Javier Rodriguez Marcos, Tom Johnson. Actar, 2002. |
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Monochromes: From Malevich to the Present
Barbara Rose. University of California Press, 2006. |
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Naissance de l'Art Cinetique
Frank Popper. Paris, 1967. |
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North and South Connected: An Abstraction of the Americas
César Paternosto. Cecilia de Torres, NY, 1998. |
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Nothing Less than Literal: Architecture after Minimalism
Mark Linder. The MIT Press, 2005. |
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Optic Nerve: Perceptual Art of the 1960s
Joe Houston & Dave Hickey. Merrell, February 2007. |
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Overlay: Contemporary Art and the History of Prehistory
Lucy Lippard. Pantheon Books, NY, 1983. |
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Personal Structures: Symposium - Ludwig Museum
Peter Lodermeyer, Editor. GlobalArtAffairs Publishing. |
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Personal Structures: Works and Dialogues
Peter Lodermeyer. GlobalArtAffairs Publishing. ISBN: 0-9745148-0-2 |
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Pour un art concret, Espace de l'Art Concret, Donation Albers-Honegger
Chateau de Mouans, Mouans-Sartoux, France. ISBN: 2-912688-43- 4 |
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Powers of Ten: About the Relative Size of Things in the Universe
Philip Morrison & Phylis Morrison and the Office of Charles & Ray Eames. Scientific American Library, NY, 1982. |
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Raumkunst, Kunstraum
Dieter Bogner, Gertraud Bogner, editors. Passagen-Verlag, Vienna, Austria, 2000. |
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Seins-Formen: Über strengen Konstruktivismus in der Kunst
Hans Heinz Holz. Bielefeld, 2001. |
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Singular Forms (Sometimes Repeated): Art from 1951 to the Present
Lisa Dennison, Nancy Spector. Solomon R. Guggenheim Foundation, 2004. |
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Six Years: The Dematerialization of the Art Object from 1966 to 1972: A Cross-Reference Book of Information on Some Esthetic Boundaries: Consisting of a Bibliography into Which Are Inserted Fragments of Text, Art Works, Documents, Interviews, and Symposia, Arranged Chronologically and Focused on the So-Called Conceptual or Information or Idea Art with Mentions of Such Vaguely Designated Areas as Minimal, Anti-Form, Systems, Earth, or Process Art, Occurring Now in the Americas, Europe, England, Australia, and Asia (with Occasional Political Overtones)
Lucy Lippard. University of California Press, 1973. |
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The Artist as Producer: Russian Constructivism in Revolution
University California Press, CA. |
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The Spiritual in Art: Abstract Painting 1890-1985
Maurice Tuchman, et al. Los Angeles County Museum of Art, Abbeville Press Publishers, 1986. |
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The Stone & The Thread: Andean Roots of Abstract Art
César Paternosto. University of Texas Press, 1996. |
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The Structurist
Canadian art journal. |
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