Cris Gianakos
RAMPWORKS
January 9 - February 20, 2016
Opening: Saturday, January 9, 6-9pm
MINUS SPACE is delighted to announce the solo exhibition Cris Gianakos: RAMPWORKS. This is the New York City-based artist’s first solo exhibition with the gallery and will present a new, large-scale ramp installation, as well as a selection of drawings and works on paper related to his previous ramp sculptures spanning the past four decades.
Cris Gianakos has been engaged in sculpture, installation, and performance since the mid-1960s. He arrived at his signature ramp form in 1977, although the diagonal element appeared in his work much earlier. Gianakos’ rampworks range in scale from intimate to monumental, and he has sited them both inside gallery, museum, and sacred spaces, as well as outdoors in relation to the natural or altered environment. The forms, materials, and construction of his ramps are self-evident and appear to be utilitarian in nature, resembling walkways, trestles, or bridges. The ramps are conceived as regular progressions of horizontal, vertical, and diagonal beams, which together form a repeating structural lattice of a given height, width, and length. Gianakos’ ramps are commonly made of lumber of varying dimensions, which is cut to length and bolted together. They sometimes also feature complimentary materials, such as sheets of plywood, steel, or glass. Strongly eliciting a sense of movement, if not performance, his rampworks appear to ascend or descend into space.
Originating in the logic and visual clarity of Minimalism, but departing from its restrictive self-referential nature, Gianakos’ rampworks deliberately reference and embrace the cultural significance of earlier architectural structures and sculptural forms, such as the temples, pyramids, and monuments of the ancient world, specifically in Greece, Egypt, greater Europe, and Central America. His ramps also directly reflect upon the development of Modernism during the last century, beginning with structures associated with Russian Constructivism through the sculptural forms of Abstract Expressionism.
About his work, poet and art critic John Yau writes, “Gianakos’ project is the monument, not as a thing, but as a large and resonant desire that recurs throughout history, and connects disparate civilizations and cultures. Historically, monuments have functioned as manifestations of praise, forms of public tribute, examples of collective memory, reminders and boundary markers. Gianakos does not make monuments, however. Rather, he makes works that explore the roles monuments play in our collective lives. Instead of being bound to a historical period, as so many of them are, Gianakos’ “monuments” acknowledge the pressures of both the past and the future while resolutely occupying the present. They are mysterious and compelling. And we are drawn to them, much the same way our ancestors were drawn to certain places and things…They both interact and shape elemental forces, such as light and shadow. Even when we don’t understand what we are looking at, we get it full force, and all sorts of feelings, both inchoate and articulate, are stirred up. We are left to both ponder and wonder, and, finally, to reflect.”
ABOUT THE ARTIST
Cris Gianakos (b. 1934 in New York, NY) has exhibited his work in solo and group exhibitions worldwide, including in the United States, Europe, Japan, Argentina, Canada, and Senegal. His recent museum exhibitions include The Museum für Kunst und Gewerbe (Hamburg), State Museum of Contemporary Art (Thessaloniki), Costakis Collection (Thessaloniki), Baltimore Museum of Art (Baltimore), Museum of Modern Art (New York), Het Museum Voor Schoene Kunsten (Ghent), and Design Museum Thessaloniki (Athens).
His work has been reviewed in publications, such as Artforum, ARTnews, Art in America, Chicago Tribune, The New York Times, Newsweek, Philadelphia Inquirer, and the Village Voice. He has received numerous awards and grants, including from the National Endowment for the Arts, Pollock-Krasner Foundation, Adolph & Esther Gottlieb Foundation, and New York State Council on the Arts.
Gianakos is represented in numerous collections worldwide, including the Museum of Modern Art, Brooklyn Museum, Smithsonian Institution, Fogg Art Museum/Harvard University, Jane Voorhees Zimmerli Art Museum, Milwaukee Art Museum, Hammer Museum, San Diego Museum of Art, Macedonian Museum of Contemporary Art (Thessaloniki), Malmo Museum (Malmo), Moderna Museet (Stockholm), National Museum (Stockholm), State Museum of Contemporary Art (Greece), and Watkita Museum of Art (Tokyo), among many others.
SUPPORT
We are grateful to Barbara Knight, Dan Bainbridge, and Teo Gianakos for their generous assistance with this exhibition.
ABOUT MINUS SPACE
Opened in 2003, MINUS SPACE specializes in contemporary reductive abstract art, and represents pioneering emerging and established artists and estates from the United States, Europe, South America, and Australasia.
#crisgianakos
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Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Exhibition view of Cris Gianakos: RAMPWORKS, MINUS SPACE, 2016
Cris Gianakos, META, 2015, Douglas fir, bolts, screws, 148 inches high x 28 inches wide x 281 inches long, 376 cm high x 71 cm wide x 714 cm long, #CG17
Cris Gianakos, Master Drawing for META, Installation, MINUS SPACE Gallery, Brooklyn, NY, 2016, 11.7.2015, Marker pen, graphite pencil, and whiteout on grid paper, framed, 13 3/4 x 34 3/8 inches, #CG25
Cris Gianakos, Fall, 10.20.2015, Ink, marker pen and graphite on mylar, framed, 16 1/8 x 20 3/8 inches, #CG28
Cris Gianakos, Olympic Gridlock, Athens Olympics 2004, Site/Roman Cistern, 9.20.2004, Oil pastel on laser prints on paper, framed, 12 1/4 x 20 1/4 inches, #CG24
Cris Gianakos, Ramp, 11.2.2004, Oil and graphite on mylar, framed, 11 1/2 x 14 1/2 inches, #CG21
Cris Gianakos, Silver Ramp on a Gold Field, 5.20.2002, Lead from wine cap on gold-pigmented paper, framed, 10 1/2 x 10 inches, #CG23
Cris Gianakos, Zumikon Ramp, Site Drawing for Permanent Installation for Max Bill Hus, 1997, Graphite on mylar, framed, 20 1/2 x 17 3/4 inches, #CG31
Cris Gianakos, Ajax, Concept Drawing for Large Commission Project, 1995, Greek money wrapper and graphite on paper, framed, 16 1/4 x 17 inches, #CG29
Cris Gianakos, Drawing/Maroussi Ramp Project, 3.6.1995, Ink and graphite on mylar, framed, 16 x 20 inches, #CG44
Cris Gianakos, Maroussi Project, Athens, Greece, 9.14.1994, Graphite and oil pastel on mylar, framed, 22 1/4 x 27 1/4 inches, #CG32
Cris Gianakos, Deja Vu/S.S. Saturnia (Back View), 5.12.1992, Marker, pen, and ink on mylar, framed, 38 1/4 x 26 1/4 inches, #CG37
Cris Gianakos, Deja Vu Ramp Structure, 10.20.1992, Graphite on cigar box cover, framed, 9 x 13 inches, #CG22
Cris Gianakos, Project/Stark Gallery, 6.21.1991, Graphite on mylar, framed, 22 1/4 x 25 3/4 inches, #CG36
Cris Gianakos, Master Drawing for Ramp Installation/U MASS, Amherst, 6.11.1989, Graphite and artist tape on mylar, framed, 17 1/4 x 27 3/4 inches, #CG34
Cris Gianakos, Project Drawing Proposal, U MASS, Amherst, 5.18.1989, Marker pen, laser print, graphite, mylar on ozaloid paper, framed, 25 3/4 x 41 inches, #CG41
Cris Gianakos, Project Drawing, Styx, Socrates Sculpture Park, NY, 1.5.1987, Oil stick and graphite on mylar, framed, 27 x 49 1/2 inches, #CG40
Cris Gianakos, Eclipse, 5.6.1983, Acrylic on paper, framed, 17 x 14 inches, #CG19
Cris Gianakos, Incline, 11.8.1982, Ink on paper, framed, 14 x 17 inches, #CG26
Cris Gianakos, Working Drawing for Eclipse, West Broadway + Chambers Street, NYC, 1982, Oil stick, graphite, and ink on photographs, laser prints, grid paper, and vellum, framed, 30 1/4 x 35 inches, #CG38
Cris Gianakos, Morpheus, Ramp #16, Installation, Hal Bromm Gallery, 1980, Ink on grid paper, framed, 10 x 30 1/2 inches, #CG27
Cris Gianakos, Drawing for 120, Nassau County Museum, NY, 1979-1980, Ink, graphite, photographs and engineer's drawing, grid cloth on paper, framed, 31 1/2 x 41 3/4 inches, #CG39
Cris Gianakos, Rex, 12.24.1979, Oil and graphite on paper, framed, 13 1/4 x 13 5/8 inches, #CG20
Cris Gianakos, 2nd Drawing/Ward's Island Ramp Structure 10.24.1978, Graphite on paper, framed, 23 x 29 inches, #CG33
Cris Gianakos, Blue Ramp Space, 9.10.1978, Oil stick on paper, framed, 18 7/8 x 23 inches, #CG30
Cris Gianakos, Ramp Prototype, 1982, Wood, 22 x 27 x 8 inches, #CG13
Cris Gianakos, Ramp Prototype, 1980, Painted wood, nails, 30 x 35 x 7 inches, #CG18