Emi Winter

B. 1973 Oaxaca, Mexico / Lives South Orange, NJ

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Biography
Emi Winter (b. 1973) was born and raised in Oaxaca, Mexico. She has exhibited her work nationally and internationally for the past two decades, most recently at the Los Angeles County Museum of Art (Los Angeles, CA), High Museum (Atlanta, GA), National Gallery of Art (Washington DC), Ulterior Gallery (New York, NY), The Suburban (Milwaukee, WI), Parker Gallery (Los Angeles, CA), Maine College of Art (Portland, ME), and V1 Gallery (Copenhagen, Denmark).

In 2011 she was awarded the Acquisition Prize for the XV Edition of the Rufino Tamayo Painting Biennial in Mexico. She has also completed residencies at the Chinati Foundation in Marfa, Texas, and Ateliers Hoeherweg in Dusseldorf, Germany. Her work is included in the collections of the Museo de Arte Moderno, Museo Nacional de la Estampa, Museo de Arte Contemporáneo de Oaxaca (all Mexico), McNay Art Museum (San Antonio, TX), and the Grunwald Center for Graphic Arts / Hammer Museum (Los Angeles, CA).

Winter has also curated solo exhibitions of the work of Andrea Sala and Martin Mele for the Museo de Arte Contemporáneo de Oaxaca (Mexico) and co-curated our collaborative survey exhibition Minus Space in Oaxaca, which was presented simultaneously by five distinguished cultural institutions in the city in 2012.

Winter earned her BA in visual arts from Oberlin College and MFA in painting from Bard College. She currently lives in South Orange, New Jersey, and teaches bilingual art classes to Latino immigrants at the Visual Arts Center of New Jersey in Summit.

Statement
Painting is an urgent matter for me, a necessary process for understanding my environment and myself in it. I use different pictorial languages to create various kinds of works simultaneously, jumping back and forth between techniques and formats. I make work from observation as well as non-objective work; singular pieces and works in a series; copies of masterpieces and narratives of my own invention. Painting always feels elemental because of the sumptuousness of the material and color. Painting is wandering, arriving and departing again. My practice extends to drawing, printmaking and textiles and manifests, as a whole, my immediate life experience.

La pintura es urgente para mi, un proceso necesario para entender mi entorno y el lugar que ocupo en él. Utilizo diferentes lenguajes pictóricos para crear varios tipos de obra simultáneamente, saltando entre técnicas y formatos. Hago obra a partir de la observación y obra no objetiva; piezas singulares y obras en serie; copias de obras maestras y narrativas de mi propia invención. Siento la pintura como algo elemental por la suntuosidad del material y el color. La pintura es vagar, arribar y partir nuevamente. Mi obra se extiende al dibujo, el grabado y el textil y manifiesta, en conjunto, mi vivencia inmediata.


Catalogs
Outliers and American Vanguard Art. Lynne Cooke. Chicago: The University of Chicago Press, 2018

American Genre: Contemporary Painting. Michelle Grabner and Marie Shurkus. Portland, Maine: Institute of Contemporary Art, 2017

Pintura: México, Vol. 1. Luisa Reyes Retana and Enrique Giner de los Rios. Mexico City: Sicomoro Ediciones and Secretería de Cultura, 2017

Emi Winter: Pintura 2002-2013. Francisco Castro Leñero and Marianne Stockebrand. Oaxaca, Mexico: Secretería de las Culturas y Artes de Oaxaca, 2013

Diez Artistas Contemporáneos en Oaxaca. Karen Cordero Reiman, Linda Atach Zaga, and Guillermo Fricke Labastida. Oaxaca, Mexico: Punta Cometa Ediciones Culturales, 2013

XV Bienal de Pintura Rufino Tamayo. Juan Carlos Pereda, Carmen Cebreros Urzaiz, and Melanie Smith. Mexico City: Fundación Olga y Rufino Tamayo, A.C., 2012

“Me gusta el plástico,” Puntos de Encuentro. Oaxaca, Mexico: 2012

MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales, 2012

Oaxaca at the Crossroads. Selma Holo. Washington D.C.: Smithsonian Institution, 2004

Gotas para los ojos. Steffen Boddeker y Jorge Contreras. Oaxaca, México: Museo de Arte Contemporáneo de Oaxaca, 2003

VIII Salón de Arte Bancomer. Paloma Porraz and Ery Camara. Mexico City: Museo de Arte Moderno, 2002

Emi Winter: Gráfica. Steffen Boddeker. Oaxaca, México: Instituto de Artes Gráficas de Oaxaca, 2001